 © Kathryn Ault Noble This amazing image is created by Kathryn Ault Noble and represents a scene from my middle grade manuscript. I love it so much and want to share the story of its creation. This post is Part 1, about my end of the process. In the future, I'll post an interview with Kathryn for more insight on her creative process. The Story For the last year, I've been on a wild creative ride, writing a middle grade science fiction story that hits my 12-year old geeky sweet spot. After many years working on children's illustration, writing picture books, and learning to write novels (went through a couple of practice novels), everything clicked and I drafted and revised this manuscript. I got an amazing mentorship with MG author Tae Keller (go buy her book, THE SCIENCE OF BREAKABLE THINGS, immediately) through the Author Mentor Match program, did two major revisions and umpteen minor ones and completed it. A Fortuitous Confluence of Interests In June, while working on my revisions, my friend and talented illustrator Kathryn Ault Noble posted some super cool sci-fi work on Instagram. Images like these:  © Kathryn Ault Noble Kathryn and I have become online friends through various kid lit groups. I've seen her work over the years and always loved how she constantly explores new styles and never rests on her many laurels. She's helped me with my portfolio, we featured her on Kidlit411, and we've generally commiserated over current events. Something about these images prompted me to reach out to Kathryn and ask if she'd be interested in doing a commissioned illustration of a scene from my novel. I wanted to see how she would apply her skills and this cool aesthetic to my story. Luckily for me, she was in a creative head space where she was exploring her 12-year old geeky sci-fi self too. We agreed to work together. The Adventure I call myself an illustrator, but working with Kathryn was a master class in illustration and the creative process. We spent a lot of time sharing images and styles we liked. Our shared Dropbox folder is a visual feast of sci-fi settings, concept art, middle grade covers, and art. We both were drawn to a retro sci-fi look, probably because we both grew up reading classic sci-fi novels. She read several chapters of my book to get a feel for the story. She sent me hundreds of images of her work (sketches, styles, etc) so we could pick a direction. After an exploratory process, she sent me some quick ideas and I sent her some crude sketches back. She spent many hours researching whether my visual ideas had any basis in engineering and physics (for example, curved maglev tracks and futuristic cities). We discussed the news of the day (the immigrant children separated from their families) in between discussions of color palettes. I had a specific idea for the sky and cloud treatment and found one of Kathryn's old pieces that had the feel I wanted. Coincidentally (or cosmically, maybe), I went for a walk on the beach and came across this scene:  Virginia Beach sunset As we agreed on a direction, we each went back to our respective creative caves. The end result was the fabulous illustration above. A closer view of a slightly earlier version, cropped:  © Kathryn Ault Noble And a closer look at City Center:  © Kathryn Ault Noble My Takeaway
Sharing ideas and conversation with Kathryn as she worked on the illustration showed me the magic that happens in an ideal creative collaboration. While I provided the initial vision and some input along the way, the key thing I learned was to trust my instinct that Kathryn was the right person to bring my story to visual life and trust that her vast experience and skill set would do it justice. What I love about the creative collaborative process is that an alchemy happens, where new things come into being that wouldn't have if we'd worked on our own. I also loved how we both approached this from a purely creative angle. We weren't looking to create an image that was going to sell (though Kathryn is very cognizant of the current trends in MG art and her art is totally fresh). We wanted to please our inner 12-year old geeks. We Don't Live in a Vacuum Because we did this project with the backdrop of some of the most disturbing news in a year and a half of disturbing news and researching the setting yielded heartbreaking real life images of children in garbage dumps, we agreed to donate our efforts (her time, my payment). Kathryn decided to make this her annual pro bono illustration and chose the ACLU as the recipient. I couldn't be happier with the end result and our creative journey.
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 One of the most fulfilling things about being an author is visiting schools. I did a number of visits in DC and Virginia Beach last Spring, and I'm just getting around to posting some photos (the schools needed to get permission to share them). My Presentation My presentation includes an interactive reading of my book (the kids act out the tai chi and yoga moves), breathing exercises, a tai chi lesson, and exercises for creating mental and physical resilience. It's an active 45 minutes that usually revs the kids up more than calms them down . . . it might be all that oxygen and movement.  Stonegate Elementary School, Silver Spring, MD (April 2017) I was thrilled to be invited to Stonegate Elementary School's annual Literary Festival, where they invite an author or illustrator to visit their school each day of a week. Some pictures from that day:   Our Lady of Good Counsel, Olney, MD (April 2017) I was one of the speakers at Our Lady of Good Counsel's Health and Wellness Day. All grades from K - 8th grade cycled through my station for a 15-minute presentation, so that was quite an exhausting but fun day.    Dorothy I. Height Elementary School, Washington, D.C. (April 2017) I also visited the Dorothy I. Height Elementary School, second grade, sponsored by the Open Book Foundation, a DC-based nonprofit that brings authors to low-income schools and that provides a copy of the author's book to each participating child.      Southside STEM Academy at Campostella, Norfolk, VA (March 2017) I spent a morning with the fourth and fifth graders of Southside STEM Academy at Campostella. The kids became rambunctious during this presentation, especially when we got to the "fighting" moves (chop, parry, punch)   Shelton Park Elementary School, Virginia Beach, VA (March 2017) Another fun visit, with several crowded assemblies.    © Lee & Low Books It's times like this when I am so proud that my first picture book is published by Lee & Low Books, the largest publisher of multicultural children's books in the United States. Lee & Low has dedicated itself to creating mirrors and windows for children to see themselves and learn about others since they started 25 years ago.
Everything goes back to education and what a young child learns. Do they learn empathy, compassion and understanding? Or distrust and fear of the other? We Need Diverse Books has pushed for more diversity of views and cultures in all aspects of children's publishing, from the publishers to the creators to the consumers and gatekeepers. The kid lit resource website I help run, Kidlit411, has a page dedicated to websites, blogs, and articles about diversity. I'm reproducing some of those links here to help spread the word. So dive on in and help be the change you want to see in the world. Good Blogs and Websites American Indians in Children's Literature - provides critical perspectives and analysis of indigenous peoples in children's and young adult books CBC Diversity committee of the Children's Book Council devoted to encouraging diversity in children's and YA literature Deaf Characters in Adolescent Literature Disability in Kidlit - reviews, guest posts, and discussions about the portrayal of disabilities in MG & YADiverse Pages promotes and discovers main characters of color in mainstream and indie publishingDiversifYA site with tools for authors to include and promote diversity in their YA work DiversityinYA - celebrating diversity in YA I'm Here, I'm Queer, What the Hell do I Read? (Lee Wind's blog) Latin@s in Kidlit - exploring the world of Latino/a YA, MG, and children's literature The Latino Author - tips and tools for authors and emerging Latino authors Multicultural Children's Book Day - a day to celebrate multicultural books. 1/27/17 Open Book - blog of Lee & Low, publisher of multicultural children's books Rich in Color - dedicated to reading, reviewing, and promoting YA with main characters of color or written by people of color We Need Diverse Books - home of the campaign Oyate - a Native American organization that evaluates books and curricula with Indian themes to ensure accuracy Writing Diverse Books Is My Character 'Black Enough'? Advice on Writing Cross-Culturally by Stacy Whitman, Editorial Director & Publisher of Tu Books The Secrets of Writing a Multicultural Children's Book interview with Tessa Strickland, founder and co-editor of Barefoot Books An Illustrated Guide to Writing People of Color Pub Hub: Considerate Craft: Pitching Characters (how to pitch diversity in a query) Diverse Characters: Corinne Duyvis on the Decline of Issue Books Writing about Minorities for Non-minorities First People/American Indians/Native Americans in October/November + Year Round "You Can't do That! Stories Have to Be About White People" Children's Books: A Middle-Class Ghetto Diversity within Diversity: Moving Beyond Oppression The Uncomfortable Truth about Children's Books Diversity in Publishing The Apartheid of Children's Literature Where are the People of Color in Children's Books, Diversity 101: The Multiracial Experience Agents Discuss Diversity Gap in Publishing Reviewing Race We Need Diverse Books: Can Children's Authors End Publishing Industry Prejudice -- and Change the Way America Reads? Perceptions of Diversity in Book Reviews The 2015 Youth Media Awards: A Crossover Year for Diversity The Diversity Gap in Children's Publishing, 2015 Selection is Privilege (a Librarian's View) Dear Publishing Industry: Fix Your Own Racism Before You Beg for Diverse Books The Diversity Baseline Survey Diversity is Magic: A Roundtable on Children's Literature and Speculative Fiction What's Trending? What's New, What Was, What's Soon to Be in Kid Lit Diversity in Reviews: Behind the Scenes with SLJ's "Gatekeeper" Little Black Sambo and The Gingerbread Man: Rountable on Truth and Honesty in Literature "I Just Don't Connect with the Character" How to Support the Diverse Books Movement When Publishing and Reviewing Diverse Books, is Expertise Overrated? Gender & LGBTQ Do Boys Get All the Fun? LGBT & You: How to Support Your Students Gender Matters? Swedish Picture Books and Gender Ambiguity The 22 Best Feminist Picture Books, Because You're Never Too Old To Be Saved By A Princess Where were the Funny Women Writers? LGBTQ Publishing: An LGBTQ Publishing Wish List The Gender Police: A Diary Fifteen LGBTQ-Themed Books for Readers of Every Age Why Are There So Few Girls in Childrens' Books? Reading List The Best LGBT Children's Books: A Sweet and Assuring Celebration of Diversity and Difference Best Books by or About American Indians First Peoples in November: Kid Lit Heroes by Jan Godown Annino A List of 20 Kid Lit Books Off the Beaten Path 12 Children's Picture Books That Challenge Gender Roles Beloved Books: A Might Girl Community Favorites Ignite Her Curiosity: 20 Books Starring Science-Loving Might Girls 6 New Picture Books For and About Kids with Special Needs |
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I'm a children's author & illustrator writing speculative middle grade and picture books. Inspired by oceans, krakens, cephalopods, ghost crabs & more. Updates here are re-posts from my blog, Sylvia Liu Land. 
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